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2026 – 2027 Season Highlights

Kahal, Court, and Casbah
Convivencia and its Discontents
Tuesday, September 29th 6:00pm
St. Paul's Chapel, Columbia University
1160 Amsterdam Avenue, NY, NY 10027
Tickets are free, but registration is required
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Ensemble Lipzodes
Kinneret Ely, mezzo-soprano
Dongmyung Ahn, vielle
Anna Marsh, recorders, shawm & percussion
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The cultural exchange and scientific discovery of pre-Expulsion Spain make the Convivencia ripe for idealization. Far more complex, however, is the historical record of forced conversions, violence, and rigid social stratification which tarnishes the unique historical moment of coexistence among the three Abrahamic faiths. In this concert, Ensemble Lipzodes embraces the historical record – a haunting repertoire in Arabic, Hebrew, Castilian, and Occitan that speaks of inconvenient truths and bracing recognitions, ripe with resonance for own fractious times.
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Kahal, Court, and Casbah is a project of Salon Sanctuary Concerts, originated by Wolodymyr Smishkewych. It is produced in partnership with Music at St. Paul’s Chapel Columbia University and was made possible by the kind collaboration of the Department of Music, the Hispanic Institute, and the Institute for Religion, Culture, and Public Life of Columbia University, and the generous support of Professor Susan Boynton.

Les Revolutionnaires
Music, Drama, and the Glittering Spark of Dissent
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Sunday, November 15th 4:00pm
L'Église Française du Saint Esprit
109 East 60th Street, NY, NY 10022
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Kathleen Chalfant, actress
Aya Hamada, harpsichord​​​
Ancien Régime splendor wove thinkers, playwrights, and composers into a magnificent tapestry that often cloaked flashes of resistance. In this original interdisciplinary program, legendary actress Kathleen Chalfant joins forces with critically acclaimed harpsichordist Aya Hamada, alternating incendiary wordsmiths and provocateur tunesmiths from the dawn of an age of upheaval.
Music by Couperin, de la Guerre, Duphly, Lully, and Rameau. Texts selected from works of Beaumarchais, Corneille, du Châtelet, Molière, and Voltaire.

Paradise Toss'd
Queen of Heaven, Queens in Hell
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Sunday, March14th 4:00pm
The Church of St. Mark's in the Bowery
131 East 10th Street, NY, NY 10003
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Jessica Gould, soprano
Gonzalo Ruiz, oboe & baroque guitar​​​
Members of the Camerata Grimani
Heaven and Earth go back-to-back as two Marian Anthems frame a trio of tortured queens. Arias of Stradella’s conflicted Ester, Monteverdi’s dejected Ottavia, and Handel’s scheming Agrippina trace an arc from doubt to misery to bloodthirsty ambition, as two prayers to the Queen of Heaven flip from calm to turbulence on either side. Opening with a courtly homage and concluding with an impassioned plea, the throne is more prison than prize in this concert devoted to monarchs on the verge.
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Music of Handel, Monteverdi, Piccinini, Rossi, Stradella, & Strozzi

Victorious Secret
Love Gamed and Gender Untamed in the Sparkling Courts of the Baroque
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Thursday, May 20th 7:00pm
St. John's in the Village
218 West 11th Street 10014​​​​
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Eli McCormack, male soprano
Christopher Morrongiello, lute & baroque guitar​​​
Before the bars of gender binaries caged the mainstream operatic imagination, a golden age of fluidity guided the vocal soundscape. Virility declared itself with the castrato’s clarion heights, while femininity often found voice in shimmering depths.Texts of the period revel in ambiguity, unfurling genderless narratives of anonymous lovers and unnamed beloveds, while stories of active pursuit and passive reverie remain alike at loose ends, with neat resolutions many movements away.
Please join us for this special program, as the music of the past reveals a golden underground of nonbinary riches, proving through music the historical roots of modern day revolutions.
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Music of Caccini, Campion, Dowland, Handel, Strozzi, and others
